The Ups and Downs of Life as a Performing Artist

For every spectacular live stage performance you watch that seems like it was seamlessly evoked from thin air, you can bet that there were hours and hours of time spent in dark, crowded practice spaces going over those same songs again and again and again.

The performing life is odd. I don’t even know how to describe it. Especially for a person like me who is a library assistant (pretty much a librarian without librarian pay because I don’t have my MS degree) by day, musician by night. Most days I spend sitting in a quiet, old, dusty building in the middle of a semi-rural neighborhood in the Bay Area, helping old people find books about how to not die and kids find books about farts and diaper superheros. I have to make rent somehow.

library rockstar

My sister drew this for me, to describe my life.

At night, I am in a practice space with other musicians (the members of my band Kyrsten Bean, and the members of Nicky Garratt’s band Hedersleben), working on either songs I wrote or songs my band mates have written and we have all collaborated on. There is a lot of drilling of the same parts over and over again, debating about what works and what doesn’t. We record our practices and then I listen to them while I’m driving to the library the next day, to work so I can buy food and gas to fuel my life.

On Thursday night, Hedersleben had our first little sampler show at the Oakland Metro. It was a blast. I met a lot of awesome musicians in the bands that played after we opened, and in the audience of people who had come to check out this krautrock thing we are doing. It felt very good. I didn’t sleep much that night. The next day was the slowest day ever at the library. I sat at the reference desk or in the back room staring at the walls or ceiling, catching up on library projects, helping patrons, but mostly sitting. Staring. Wondering if the night before had really happened.

hedersleben***

That night after work, I went over to see the launch of my friend Joe’s book, Junkie Love. I helped with the trailer for that one by playing a junkie. My friend Joel was the star. It was filmed in my bedroom.

I was nervous to finally watch it for the first time in a room with 81 people, but when I finally saw it I was impressed. It’s a little love story. About what a junkie thinks love is–about dope being love and love being dope.

Here it is, anyhow:

***

It was the same thing that night. I went to the book launch, it was exciting to see my friends kill it with their readings and to watch the trailer I had been a part of.
After the reading, I bumped into Alan Kaufman, who had come to support Joe. We ended up having a conversation about performing life. I don’t know why I felt compelled to vent to him about it, he merely asked me how it had been filming the trailer in my bedroom. I told him that it had been heavy, and I’d felt like crap for a week afterwards. He totally got it. Alan is a beat poet, wrote the book Drunken Angel (which I am just now cracking open and is amazing). He’s been there.

I told him about how I’d just had a performance the night before, how exciting it was. We had a guy from a record label come out to see us, everyone loved it, I was on cloud nine. There are tours being booked, details being finalized. We are recording an album at the end of the month. I have a show with my own band being worked on for May 30 as we speak. So much of what I love. So much awesomeness. Then I spent the next day sitting at the library.

“That’s awful!” said Alan. I looked at him, and I knew he meant that exactly how it feels to me. That it’s not working at a library or being around books that is awful, it’s the contrast between being in the middle of a cosmic synergistic excitement hub of splendor and then having to drive to work the next day and sit and stare at books.

I’m not complaining, don’t get me wrong! I love libraries. It’s just a strange, deflating transition. I find myself sitting there asking myself if any of the excitement actually happened. Which of these scenarios is my real life? The one where I am on stage in my element, doing what I love, carting gear in and out, talking music language with fellow musicians, or the one where I am sitting still at a reference desk at a library in the middle of nowhere, a city most people don’t even know exists in the Bay Area as it’s unincorporated.

It’s enough to make me feel stark raving mad sometimes, the ups and downs. I love my life. I love doing music. I love that I took my dreams of childhood and am finally bringing them to fruition. But there are things I got to talk about with Kaufman that he just got immediately. Doing performances and then sitting in your room for days trying to decompress. Having your ego fed, having it inflate, and then having the pin stuck in the balloon as the air fizzles out over the next couple of days. Our conversation blew my mind, was just what I needed.  Joel, who had rode with me to the event, didn’t need a ride home, so then I went home to my diet coke and gluten-free cookie and stared at Facebook. Then I went to sleep, and got up to go work at the library.

5 Signs You Are A Modern-Day Musician

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1. You’re in more than one band or project at the same time.
Do you find yourself constantly consulting a calendar so that you can squeeze in another band practice? While you’ve got four band projects going, do you get asked to take on an additional band project and say yes because THIS project might be the big one? Do you find yourself on multiple email lists or text clusters with various groups of musicians you call band mates trying to once again negotiate the details of the same weekly practices you’ve been negotiating every week for a year due to everyone having various work/life schedules? You might be a modern-day musician.

2. You work a day job for less than you’re worth in order to balance band practices/shows and tours.

Do you find yourself spending another day staring at the cottage cheese ceiling at your day job wondering why a talented mofo like you is spending so much time for so little money doing something they don’t even like to do? Do you have to constantly remind yourself that you CHOSE this job so that you could dedicate the majority of your time to music? Do you stare at your bedroom with the mattress on the floor and thrift store clothes all over the place, eating another bowl of beans and rice in front of your keyboard bench which doubles as a table for your outdated laptop? You might be a modern-day musician.

3. You have no consistent love life.
Do you find yourself put out by how quickly your friends are hooking up? Do you stare at photos of your married friends and feel a slight twinge of doubt about your life’s path? Do you find yourself so busy with work and band practices and eating rice and beans that you consider hooking up with one of your multiple band mates just for the convenience of the matter, but remember the cardinal no-no of bands just as you find your band mate making moonie eyes at you and look away? You might be a modern-day musician.

4. The thought of actually going on tour excites and horrifies you at the same time.

Do you kind of dread the go ahead to tour from your band mates/manager/band leader because you know it means quitting your job, eating more rice and beans, cramming into a van with your smelly band mates, schlepping gear and playing in small clubs/houses/coffee shops day after day? Do you also get thrilled at the idea of random discoveries, playing music every night, serendipitous encounters, all the new people you’ll meet and being able to say to people, “I’m going on tour in the fall?” You might be a modern-day musician.

5. You play bills that include two or more of your bands.

Are you the bass player in one band and keyboardist in another? Do you sing backup vocals and play guitar for one project and main vocals for the second? Do your bands books shows with each other and go on tour together, making it so you end up playing back to back every night you play out? Does this seem normal to you? You are most likely a modern-day musician.

Want more 5 Things posts? Check out 5 Observations About Bacon, 5 Helpful Links for Reading, Writing and Productivity, 5 Signs You Are a Writer, 5 Signs We Are Hoping for the Zombie Apocalypse, and 5 Signs You Are a Musician

The Thought Monster

I am going to talk about the thought monster today.

thought monsterThe thought monster seems to have a special love for buggin’ inside the minds of artistic people.

Once a week, I make the pilgrimage out to Dharma Punx  in San Francisco on a Friday night during rush hour traffic for a half hour meditation and hour lecture on mindfulness. It seems to be helping with managing the insatiable thought monster who resides in my own brain.

A few weeks ago, the guy who was speaking, Vinnie I think, was talking about the voice (thought monster) in our heads, how it doesn’t ever want to shut up. He recommended we tell it to fuck off. But not in a way that we are engaging with it. It absolutely LOVES being engaged with, is waiting for a little debate. No, just a little, “That’s nice, now shut up.” Or, “Oh, hey, you’re talking again?”

He also said that the voice tends to pop up more whenever we try to challenge our own comfort zone. The voice is there to keep us from bucking the norm. It developed for healthy reasons over years of evolution, but can be an inhibitor to moving forward and growing outside of your self-created limits if you let it keep you down. Every time you try to challenge what is familiar, safe, notice that voice? Yep. Me too.

Lately, the voice in my head is relentless, likely because I am doing things I’ve never done before with my music. I’m challenging myself and going after what I’ve always dreamed of doing, in spite of the nut gallery going, “Nur, that’s dumb. You’ll never bla bla bla.”

While I’m sitting peacefully at the library or in the practice space or in my room or driving aimlessly somewhere, it crops up. “You should just give up.” It says. “Music is too hard. The band you’re in is too challenging, you can’t do the tasks required of you. They’re going to find out you totally suck and you’re an imposter. Quit while you’re ahead. You’re almost 32, you’re practically dead. Your looks will fade soon and nobody will care, it’s all about image, not talent. Music is for the young.”

It’s all bullshit. Mostly, I act as if that voice isn’t there and continue to practice my guitar, voice and keyboard in the spaces I’ve allotted to do these things regardless of what it says. Sometimes it gets a little bit of momentum when I take a few days off from practice. “You aren’t practicing enough. You suck. You’re gonna blow it. How can you even think you can do a show coming up? You’re such a pretender. Everyone else is better than you. Remember how much you used to practice as a teenager? Where did that get you when you stopped. Nowhere. That’s where you’re headed again.”

Sometimes, I consider what it says for a moment during those times. Think about moving to the woods, living a quiet life without any challenges, without ever changing what has become rote and easy. But that thought makes me want to explode. I am not leaving this life unless I know I’ve worked as hard as I can on what I seem to be meant to do, no matter what naysayers and the anxious nail-biting thought monster in my head that don’t want me to challenge societal norms want me to do. There’s enough room in this world for me to do what I love full-time. Or die trying.

think

Oaklandia

“Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?” -Alex/A Clockwork Orange

There are so many topics to write about here. Collaboration. Anxiety. Taking on a plethora of music projects. Learning to work with other artists on a daily basis. I’m sure I will cover all of these topics in the upcoming weeks. I took a hiatus from the last posted entry on April 8, due to suddenly being consumed with activities music and writing related.

My life isn’t much different from the other musicians I am surrounded by in Oakland. Most of us are in two or more bands. Most of us have a calendar clogged with work and shows and practices. Most of us spend a significant portion of our time crammed into tiny practice spaces.

Yesterday, I was chilling in the sun out on Piedmont Avenue in Oakland with a bunch of peers, all of who are musicians. Our conversation was like an episode of Portlandia.

“Soft Cell only has one good song. Tainted Love.”
“What? Soft Cell has the best lyrics ever! Tainted Love is their worst song!”

“Have you heard of The Monks?”
“Yea, I introduced them to you, remember?”
“I thought that was your roommate who introduced them to me.”
“No! He’s always stealing my musical taste and pawning it off as his own.”

“There’s a point where you just get oversaturated with Depeche Mode.”
“What? There’s no such thing as too much Depeche Mode!”

“All I listen to is Krautrock.”
“Krautrock! I love Can!”
“I like Ammon Duul and Neu!”
“I’m into proto-kraut. Haha, just kidding, does such a thing exist?”

***
It’s ironic that a few years ago I was begging to be surrounded by artists and musicians, back in an urban hub. Now that I am, I’m grateful, but also kind of inured to the over abundance of artists I am surrounded by. Add to that the fact that most of us are sensitive and neurotic and slightly psycho and you’ve got a basket full of booby traps at times.

I wouldn’t go back to where I was a year ago for the world. Sometimes, I get down. Focusing so much on music and art and work makes me feel like I might be missing out on something, like family or relationships or love. But…I don’t know. It’s good to be free.

I’ve been practicing with one of my bands, the Krautrock-influenced experimental band, for an upcoming show at the Oakland Metro. Sometimes, our practices feel like Real World: Band Practice, especially when we were trying to determine who the core players in the band were, and had different musicians at every practice. But…I’m sure that’s true of most band practices. Most bands never get off the ground due to not having enough players or personality conflicts. Artistic people tend to be a bit odd. It’s not just a cliche. Sometimes the most creative and interesting people are just…weird. OK, most of the time. Myself included. I know I’m totally sensitive and psychotic and weird and over intelligent and every other thing you can pin on a musician/writer nutcase who came from a musician/artist nutcase family.

So there you go. Busy. Still trying to find the meaning of life, balance frugal living with working on art, doing music constantly and working a day job to fund it. Balking at the dynamics of single people in my age group–ugh. Insanity anyone? Modern life is just wack.

So what is the meaning of life? What you make of it, I suppose. And the only thing I’ve found to assuage my existential angst and anxiety so far is music. The more projects I’m involved in, the more projects I get asked to be involved in. The more I play out, the more musicians I meet and more I am asked to play out. So. All is well. Pretty much.

Kosmische Music

I’ve even spending an exorbitant amount of time when I’m not at work or at one of my many band practices sitting on the mattress in my cheap rented room geeking out on space rock music from the late 60s, early 70s, and newer. Bands like Midday Veil and Ash Ra Tempel.

It helps that I’m in a Krautrock band. What the hell is Krautrock, you ask? I explained it a while back, here: You’re Never Too Old To Play Music.

On Friday, I found out about a show playing at the Gem and Bolt in Oakland, a beautiful live-in exposed-brick warehouse converted to show space at times, one of the coolest spaces I’ve ever been in. I decided to go for research and enjoyment. The opening bands were impressive, especially the drummer, who helped the first band, Brain Fruit, from Seattle, out on this night, but belonged to the second band, Midday Veil. Both bands had a strong Krautrock vibe, and it felt synchronicitous, just like this whole endeavor I’ve stumbled into. I feel like ever since I was turned onto Krautrock music last year, it’s taken me on a ride that is just beginning to pick up steam. Who knows where it will go. It’s like all the musicians who channeled their energy into this psychedelic, soulful, spacey music put out enough energy to reach decades into the future and fire up musicians that hadn’t even existed at the time, like me and most of my bandmates, for their own tripped out journeys.

The band I’m in, Hedersleben, is full-on Krautrock influenced. We’ve been meeting up to three times a week to work on music, and I’ve been listening to hours of our wacky and amazing jams practicing riffs and pulling out ideas to run by my bandmates, because apparently we are playing a show in Oakland in May. To go to a show where at least one band was doing what we intend to do, but in an amazing, realized fashion full of heart and feeling, was really cool. Lights and projections and amazing aural soundscapes.

The night at Gem and Bolt ended for me somewhere around 2am. Nommo Ogo, a band I also really dig, was played trippy dark music, costumed people were dancing around, the lead singer, a tiny mustached guy with his shirt off, was gyrating and embodying his freaky self while chanting behind a glowing purple orb as a guy with a sophisticated projector etch-a-sketch type thing and a sheet over his body drew light pictures on everyone. At this point, I was exhausted, and I was wondering how many people around me were on psychedelics. Not that I mind, I just don’t do them. And I needed to ride my bike home before I collapsed. So I fled. But I had a blast, and learned a lot. It’s so important to go to shows if you’re a musician, to see what other people are doing.

I’ve been sick on and off for about four months, no joke, from flu to bronchitis to spring cold and maybe bronchitis again. I’m not sure if it’s because I’ve been attempting to keep up at three bands, a county job and writing performances in the middle of what is still a kind of stressful bohemian time for me, but it’s frustrating. Maybe this is just what doing music full-time in your thirties while working a part-time day job to make ends meet feels like. It’s inspiring me to take better care of my self so I can have the energy to continue schlepping around amps and keyboards and guitars and singing into a microphone for a long time hence. Nik Turner of Hawkwind, a quintessential krautrock band, is in his 70′s and still going strong. I want to be that person too when I’m older, playing music as a life path, not for a fleeting minute of fame. It’s who I am, not a flash in the bucket.

A lot of synergy happening lately. It’s a good time, albeit stressful and busy. I’m fulfilled doing music projects most of the time. Scheduling around a county job is hard, but often things work out, regardless. And I’ve had the best luck with music equipment lately. I got rear-ended, but it didn’t cause much damage, so instead of replacing the bumper on my 2006 Honda, I was able to find a keyboard amp and a guitar amp for insanely reasonable deals. Gear is one of the hardest parts of being a musician.

So this is a meandering post. I’m exhausted, but wanted to throw out an update. I’m enjoying the odd moments when I get the practice space I pay in on to myself or when my roommates are not home and I have peace, quiet and space, because in Oakland, there is not a lot of those things. It’s a lot of social, busy, hubbub and I can’t hear myself think or contemplate without going to the woods. And being sick so much has inhibited my woods adventures.

So…here’s to maybe a future where I can carve out more peace and quiet. Or maybe someday afford my own quiet space. Ha. Not in the Bay Area, right? Gotta accept what is. Roommates, noise and cheap rent. It is what it is. I chose the life of a musician. Or it chose me. Less money, more time on music. Hard work in the dark for years without any monetary rewards, but happiness at doing what I love and knowing if I died tomorrow, I did my best, maybe more, to live my dreams, regardless of what people told me about what I should be doing instead.

Lip Service West Reading, Tonight

Lip Service West, tonight at 50 Mason Social House in San Francisco. I’ll be reading a light-hearted non-fiction piece about women’s issues like Mormanism, appearance and the music industry. Other women will be reading about other topics, all as a fundraiser with proceeds going to a non-profit benefiting women. Win/win.

More info here: http://www.lipservicewest.com/

Playing a Junkie

This past weekend was a strange one. I walk through life rather oblivious of things. I nod a lot and go, “Yea, sure! OK.” So, when I found myself convincing my friend Joe to use my room for a book film trailer, it didn’t strike me as odd. Even if the film was about junkies, and my room was to be a piss-in-the-sink hotel.

I’ve never been a heroin junkie, but I have lived in the Tenderloin in a piss-in-the-sink hotel. I figured, why not help a fellow writer and friend out and let him use my room in a nice quiet neighborhood of Oakland, instead of a hotel where, as Joe put it, “People might assume we were going to shoot porn.”

On a related note, last Saturday night Paul, who runs Bitchez Brew, invited me and some other local writers, including a friend of mine, Joel Landmine, to read our poems at Era ART Bar. It went well, was a lot of fun.

I introduced Joel to Joe at the last Lip Service West reading I attended, the one where Zarina Zabrisky, another local writer, was on fire and wowed the entire audience, and the one where Paul invited Joel and I to read at this past Bitchez Brew. Joe and Joel became Facebook friends.

Meanwhile, Joe was searching desperately for the best younger him to play a junkie in the film trailer for his upcoming book, Junkie Love. He posted about the trailer on Facebook, having learned Evil Ed from Fright Night was going to be a part of it, and Joel posts something like, “That guy’s really nice.” Joe sees an opportunity, and follows up with, “Hey, you look like a young me (a junkie), do you want to star in my film trailer?” To which Joel says, “Sure.” Joe doesn’t beat around the bush.

Some time goes by, and a thread starts on my Facebook, but gets sidelined by discussion of the best place to film this trailer. My bedroom gets volunteered.
Then, the night of the Bitchez Brew reading, Joe approaches me and asks if I want to play in the film trailer too. I shrug. “Sure,” I say.

(It strikes me that if I had gone through with my threat of deleting Facebook for good, none of this might have gone down.)

Sunday morning, Jamie DeWolf, the director, Joe and his wife Justine, and Joel arrive at my apartment. My roommates let them in, and thankfully I was awake, had a cup of french press coffee in my hand. I was up until 3am the previous night. It was now 9am, so I was still kind of like, “Duh.” We moved all my musical instruments out of the room and Joe and Jamie start making it look like a junkie den. Syringes, spoon with “tar” and cotton in it. The mattress is already on the floor, a sheet over the window, etc. I kept looking over and seeing Joe making little “heroin” balloons by my bookshelf.

Justine tells me she needs to make me look like a junkie, so she starts putting makeup on me. Joel by now looks like a bonafied junkie, bags under his eyes, pale complexion (he’s a skinny dude, with that James Dean kind of rough-around-the-edges look about him) and I give him a thumbs up. “Great job. You look like the perfect junkie.”

Then Jamie asks if I can take off my shirt, because he wants it to look authentic. So, soon I’m lying on one side of my bed, Joel on the other. I’m half naked (in a bra) with a blanket over me, Jamie filming, and Joe giving us directions on what to do. Insert lots of Boom Chica Bow-wow jokes about bedroom filming.

I didn’t know the script for the film before hand, which was probably good, because if I had thought about it too much, I might have freaked out. Basically, Joel is my junkie boyfriend in the film trailer. I’m sleeping. He wakes up, goes out to score dope, gets beat the hell up, comes back, then wakes me up. I kind of roll away, go “WTF,” with my facial expression, then spy the balloons he is handing me in his outstretched hand. I perk up. He smiles. I smile. Junkie Love. It’s pretty devastating, if you really think about it. There’s even one point in the film where we were filming in my bathroom with syringes and fake blood for a scene using my bathroom mirror.

We finish filming, go out and eat lunch, and they all head to the city to do a different scene. At this point, I’m actually starting to wake up. I walked through the rest of the day with kind of a blurry, heavy feeling going on. I went and hung out, talked with friends, but I couldn’t shake this raw, intense feeling in my chest. The feeling stayed with me the next day and is still lingering today.

I’m kind of an empath, and so there’s a part of me that is taking in the fact that Joe lived this life, and it’s a life many people live. He must be feeling pretty wack, watching his friends enact scenes from his past. The junkie life was a life I wanted to live as a teen, because I was an idiot, and a lot of my heroes in pop culture were junkies. But as revealed in a short non-fiction piece I’m writing, I was spared that road due to what must have been angels looking out for me. Instead, I just became a raging alcoholic by age 15. The junkies I traveled with at age 15 didn’t like to share, is what it boils down to.

Maybe I’m tripping because had it been different, that might have been my life. Or maybe I’m tripping because at 15 I was a street kid and me and my boyfriend’s two best friends were junkies, used to shoot up in front of us on a mattress in Golden Gate Park. I glamorized them. Now, at 31, I don’t glamorize that lifestyle at all, and re-enacting it was somewhat brutal. Things just seem to affect me much longer these days.

But I’m glad I could help. That was a good thing to be a part of, in my opinion, although I don’t know if I can ever actually WATCH that book trailer when it comes out. Me as a junkie ain’t pretty. See below.

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