It Takes A Village

A thought struck me while I was cooking breakfast this morning: I would never be where I am today without the things I’ve been through and done in the past. And where am I now? Stoked on life. Having so many amazing moments I didn’t think were possible.

What did it take to get me to lower my expenses, be honest about the fact that in order to pursue my art and be true to myself I couldn’t live the life I was living anymore? It took losing my health and my sanity and my marriage, that’s what. I had to be at a point where I had what seemed like absolutely nothing before I could take the reins of my own life and go after what I know I came here to do in a way I never have before: Music. Writing. Being Me.

Nothing to lose. Everything to gain.

I used to be the world’s worst invalidator–of myself. And because I was constantly putting myself down I attracted people who criticized me in subtle ways that were corrosive and toxic. Then I internalized the beliefs of the people I’d surrounded myself by, as well as my own, that I couldn’t do what I wanted and survive.

It’s just so wack the way the universe works. I had to go through some terribly hard shit to get to the point where I realized life is short, I could die tomorrow and I will be bloody pissed if I didn’t do my damndest to own being the performer and musician and writer I’ve been working at being my entire life. It’s what I’m here to do.

I also used to be really good at playing the victim. I would blame circumstances or other people for my lot in life. It was the doctor’s fault for putting me on horrible back pain and anxiety medications that destroyed my health and nervous system and made me face the bowels of hell (it wasn’t. I sought him out, and I had a pre-existing addictive personality). It was my husband’s fault for wanting a more conventional life and not understanding that art is not and has never been a hobby for me (we were different. That’s all. Neither his way nor mine was “correct”). It was my full-time job’s fault for making me work so much (I chose to work 9 – 5 through my early twenties so I could go on more trips and buy more material things).

And I was real jealous. I had a hard time accepting other people’s successes because of my own lack of success at going after what I really desired. I also thought there wasn’t enough to go around. I held onto an American society competitive market attitude.

So what changed? I got off pills, first of all. Then, I acted as if I already was what I believed I was. I told people I was a musician instead of saying, “Er, sometimes I kind of play some songs and stuff.” I surrounded myself by people who would call me on my shit and demand I take action, instead of supporting me wallowing in reasons I couldn’t do what I believe in. I started taking control of my life instead of being a passenger in it drifting this way and that.

And I continue to do other things. Daily meditation. Journaling for hours a day to find out who the hell I am and what I really want. Making sure that if I’m not happy with my life I make tiny goals to move me towards my bigger goals. Giving myself credit every day and not looking for it in other people as much. Writing gratitude lists.

And eventually I ended up where I am now. Surrounded by people whose lives I respect and admire, people who are successfully doing what I want to do, therefore don’t naysay the possibility of doing so. If you talk to someone who hasn’t tried, they’re going to likely tell you you will fail. I intend to stick with those who have succeeded, and remain teachable. I have faith that if I was given  talents I will be able to use them in this life.

***

Last night, I got to jam out with some amazingly talented musicians doing krautrock style music (irony after all the krautrock stuff I posted a few days back, eh?). I lugged my keyboards and guitar out to my friend’s practice space; a musician girl friend down the street let me borrow her pimped out Fender Twin Reverb Amp. I got to sing, and play piano and guitar. We had an electric violinist and classical pianist who were trying out a jam, like me, alongside one of my oldest friends on drums, and a guitarist and bass player whose creds go back through a ton of amazing bands and decades in the music industry. They’re all paid, working, gigging musicians, amazingly talented, and people I want to be more like.

I came home and face planted on the bed, deliciously exhausted. Tomorrow, I have band practice for my own songs, we are working on seven of them right now. Friday, I’m going to go try out as singer for another band project, we are going to cover some PJ Harvey songs to warm up. This is how I am going to continue working my life. Music, music, music.

You know, mostly in my former life, I was afraid to be myself, and afraid to be happy. I thought I had to be negative and tough to protect myself. And I kept attracting people who reinforced this belief system. But I’ve learned in the past year, after leaving everything that was comfortable to me and starting all over again, that I don’t need to have people near me who make me feel small. I want to be around people who make me feel good and believe in me, so I started believing in myself. I deserve that.

I am grateful to be alive and doing what I love on a daily basis. I’m also grateful to all of the people who have helped me every step along the way. I read a quote the other day that said love is good when given, but better when shared, and I do believe it takes a village to raise an artist. We need each other. And I look around me and am so proud of my kick ass friends, writers, artists, musicians, who have walked with me through this past number of years. We are all doing amazing things with our lives. Success is how you define success. To me, success is managing to do so much of what I love, with or without validation from society. I told one of my friends last night that this has been an amazing year so far. “This will be a year to remember,” he said.

You never know what you can create if you believe in yourself.

Subversion

Lately, I’ve been immersed in music. I am surrounded by a gazillion bands it seems, and friends who know of a million bands. Ten dollar shows abound. There is usually something to do or see on any given night here in Oakland.

Last night was a huge punk show called Subversion at the Metro. It was a three-day fest. I did my part and went to day 2 with some super hot punky girlfriends and was blissfully surprised to find I actually enjoyed a couple of the bands (I didn’t know any of the bands playing that day except one, Scarlet Crimson, who I had seen a number of times before headliners at recent shows including The Mob and Belgrado/Bellicose Minds).

subversion oakland metro

One band, Spectres, reminded me a bit of my exes band, it was that goth punk Joy Divisionesque vibe running rampant in the scene as of late and I really dig it. The drums and bass were amazing, and I totally danced. There’s a good article about the goth gloom vibe in recent punk music here: What is G-Beat?

It mentions a few bands that friends of mine are in or have introduced me to recently that I really dig such as Alaric, Cross Stitched Eyes, Bellicose Minds, Atriarch and basically most of the bands who have been passing through Oakland as of late.

It seems like a good time to be on the West Coast. DIY culture in the form of music is alive and well. I can’t even list all the demos, tape and vinyl rips I’ve been able to access recently, some available here on this awesome site: Terminal Escape

A lot of the bands playing over the three day Subversion fest are up there, today I was able to nab Spectres, Permanent Ruin, Male Nurses, White Wards and Hoax. I bought the new Spectres album. Another song I was listening to all day had nothing to do with those songs. Actually, I would say my two songs of the day are as follows:

***

It was adorable to see downtown Oakland filled with punks in full regalia. Studs, back clothing, bullet belts, leather, jean jackets, patches, colored hawks, dreads…

The festival itself was cool. Vinyl and cassette tapes are also still alive and well, which makes this ’80s girl happy, if only for sentimental reasons. Not to mention that they both sound better to me than CDs.

As I’m broke as hell due to my dedication to working part-time in order to focus on music, music, writing and music, I’m not able to buy a lot of paraphernalia, and I don’t profess to own any band t-shirts except one I got at crossroads because it looked cool, but I liked walking around handling all the records, and seeing so many bands all in one place. These bands all don’t get paid much of anything to do what they’re doing. It’s also rad to see so many artists completely dedicated to taking their music on the road, continuing to make their music in spite of the current landscape, saying, essentially: Screw the system! We will make music!! Foreva!!

At one point during Spectres show there were a buncha fully decked out fashion punk dudes (studs, colored hawks, face tattoos, eyeliner) standing near my friend and I, glaring intermittently at us and everyone else out of the corner of their eyes. There had been a few kinda normal looking guys walking around the venue through out the night, late 30s, early 40s. OK, maybe two. I was curious about them. Who were they? Did they listen to hardcore death punk and thrash punk music at home while reading literature in between teaching classes at the University? Had they once dressed up to the nines in punk attire as well? And what did the fact that I noticed them out of the entire audience say about the current punk scene’s fashion requirements?

Spectres

(Did I mention Spectres lead singer also looks uncannily like my ex-boyfriend who fronted a ’90s industrial rock band? That was really weird. Took me back)

While the hardcore fashion punks started sniffing an unknown substance out of a plastic bag my friend and I looked at them and then at each other and started cracking up. “What would we even talk to them about?” she asked me later as we both decided that we weren’t feeling like any potential future dates were lurking in our vicinity, though it did feel good to be surrounded by so much punk DIY energy in one place. Felt kind of like home. I made a motion with my hands as if I were sniffing something illicit out of a plastic bag and she cracked up, “We could go nab those normal looking guys and talk about li-ter-at-toor,” I said.

It’s fun to be able to go to shows right down the street from my house, have friends who live around the corner and also have the liberty to simply sit in my room all day writing songs, listening to music and doing a kickass yoga workout,as I did today. I mean, yes, I still have that day job, but it’s the best job I’ve had out of any jobs so far (if you read back far enough in this blog, mostly circa 2008, you will find a litany of rants about terrible jobs I held that kept me from doing much music) and people always think it’s SO cool to work at the library even though I know the truth…it’s cool, but it’s also a library.

I don’t have much to complain about except my normal general neurosis which seems much more manageable now that I’m not trying to do so many different things. Realizing I’m only one human being, if I died today I would rest happy knowing I spent as much time as I could with my favorite people, working on music and writing every single day, listening to a lot of ass kicking local music and roaming the hills whenever possible.

Not to sound like the antichrist or anything, but not having a relationship also seems to be pretty effective for making a crap load of art. I’m not sure how I’ll someday work that equation back in, but after being married nine years I think I’m OK with not looking right now. My ex-husband said to me recently, “You didn’t have time for a relationship.” That’s either real sad, real modern, or means I’m simply real focused and would someday benefit from finding someone who was also real focused, and we could meet sometimes in the middle somewhere. When not touring or recording or working. Yea, modern life. There you go.

Better to Give Than to Receive

Friday’s show at Actual Cafe in Oakland was great; It was amazing how it all came together.

I played with two new musician friends of mine who came through for me at the last minute and was blown away: They were both stellar performers. A lot of people I have recently met and think are neat showed up at the cafe; we had a good audience that ebbed and flowed throughout the night.

***

In other news, my sister drew a picture of the Jinxes I was talking about the other day.

Image

Like I said in my last post, jinxes are mystical weasel cat creatures who love to trip you up when you decide to invest in any particular plan. I rue the day the jinxes pop up…they’ve been all over the place recently. But they have an upside. When they arrive, I have to check in with my gut. They make me pay attention to what’s going on, consider if I’m on the right path.

***

It’s all speeding up right now, the shift from old life to new, the change in living circumstances.

Somehow, even though everything is up in the air, I feel pretty steady. I truly believe everything is going to come together just right. My old life that wasn’t working, by some grace I can’t even fathom, is completely falling apart while a new life where I have friends who blow my mind, am in the center of a hub and can work on my art and be understood and not forced to change my very nature are coming together at the exact same time. It’s hard to straddle these two worlds: One that wasn’t working for me and was causing me duress, and one that seems so perfect I doubt it can even be real because I feel I don’t deserve it. And it still feels terrible, on a visceral level, to be leaving the familiarity of my previous life.

I  lost about 15 pounds in a month from stress and lack of appetite, but at the same time, in spite of the anxieties and fears of not being taken care of I’ve felt peace beyond peace. I can’t wait to find a good healing space where I can get settled and start to process all of this upheaval.

***

Another update: A reading I did for Lip Service West in January is now viewable online. I think it turned out well…it’s better to make a story about relapsing on Nyquil funny. Because it is funny. You’ll see. (Raaawr). I hate watching myself on video…it reminds me at 31, I look like I’m still 18. I guess that’s not a bad thing…

I’ll also be reading for Lip Service West again (a story about my life as a teenage gutter punk and the importance of my crusty hoodie) at Beast Crawl in two weeks. You won’t be disappointed.

***

It’s all a waiting game at this point. Where I’ll live, where I’ll put all my stuff, how I’ll get my stuff at the apartment cleaned and moved (one day at a time).

I’m working hard today on letting go and trusting the universe.

I’ve been very sad and twisted (it’s only natural), but also very happy and feeling tapped into the slipstream again, which is great. If I trust that calm centered feeling inside that says I am doing all the right things and meeting all the right people, I feel OK. It’s those late night hours when my stomach’s all screwy and I’m facing my transitional reality that’s physically and mentally hard…those night hours when I question how everything is going to play out and start losing my faith.

Truth is, I just don’t know how things are going to turn out, but I believe the best possible outcome for me will transpire. Life is for learning, you stop learning when you’re dead and for so many months there I just couldn’t get out of my head. I’ve been reaching out to people struggling with issues I’ve faced in the past (i.e., trying to find support for their art, or trying to get clean and sober) and that seems to be helping a lot. The universe is suddenly sending them to me because I’m taking the steps to make myself available. Even simple stuff like saying the St. Francis prayer, which talks about making myself a person seeking to comfort rather than be comforted, give rather than to receive, is helpful to do every morning.

This blog is one thing I do for other people, and it’s paid back in spades, so I am going to pay more attention to it this week, and please, if you have any topics or struggles as an artist, writer or musician and you want me to approach those topics from my point of view, do share in the comments and I will use that for a blog subject.

Working A Day Job

I talk a lot about my opinions on working a day job, i.e. a 9 – 5, when your heart is elsewhere. Many people have to work a day job they don’t like. I can list a slew of friends right now who work day jobs and are musicians or writers, but need to feed their kids, pay child support, pay the exorbitant Bay Area rents and grocery bills. I’m not saying that it’s always feasible for most people to not work one, though I always encourage trying to find other passions so you’re not miserable all of the time. Life is short.

My husband, in particular, gets pretty upset when I knock the so-called American dream of clocking in during the day just to space out to television or video games at night–mainly because he has searched his whole life for that “something” that he is passionate about and has come up lacking. The things he likes to do are pretty normal. He likes reading. He likes eating out. He likes playing video games. He likes cuddling (to the point it makes me a bit nauseous, I admit) with our smelly dog.

So when I rant about how I’m feeling stifled by having to show up somewhere at a certain time every single day on someone else’s clock, if only part-time, he rightfully rolls his eyes, and has for many years as I explored a number of jobs that weren’t a good fit.

I write more now, working two jobs than when I was unemployed! Go figure.

Actually, when he met me, I wasn’t doing much writing or music. I had just gotten out of rehab, for one, and out of a situation that had scarred me, for another, involving what I thought was a soul mate and bla de dah, but had actually been a catalyst for a relapse after four years sober. My way of coping was, of course, to imbibe copious amounts of pills from other people’s medicine cabinets washed down with a lot of vodka, and this being the Bay Area, some green, too.

After I stopped doing all of those things, for a time (before I got legal prescriptions for pills and had to repeat a similar process all over again) I was a little leery of my guitar. First off, it had some flaws. The tuning keys were falling out, the bridge was warped and the strings were way too far from the neck because the bridge had been adjusted to compensate for the warping.

(I’d had that guitar since I was 14 years old—my parents had traded some piano rebuilding work for it when it was new. Unfortunately, because I play left-handed, the shop didn’t have a single guitar that would work for me. They flipped a righty to make me a lefty. My pick guard was upside down and the nut was backwards. I played the hell out of that guitar for 7 or 8 years, it sure beat the nylon string contraption I had started out with.)

When my husband and I started dating, I cared not about my music or writing or art at the moment. I wasn’t even listening to most rock music, I could only tolerate tunes without words. All I really cared about was getting my brain functioning again and not feeling like shit all of the time–I’d done a number on myself. My beat up guitar sat in the closet, where I sometimes played some wistful three chord song over and over again while my neighbor listened through the wall.

In order to survive on my own, I needed to get a job, so I got one, a 9 – 5, and I started making more money than I had made, ever. It was nice to not be poor or running up tabs on credit cards I would never pay off.

My ex-boyfriend called me around that time, “Just to say hi,” and I shot the shit with him.

He asked how I was doing and I told him that I finally had a job. “Stuck in the grind, hu?” he said. I didn’t really know what to say. I was, but all of the lofty things I talked about with him (pursuing music at all costs, writing stories, the things I had given up doing while living in his apartment, even, until he had lectured me, saying, “If you would just do something, anything, write a song, write a story, I could justify the expense of having you live with me rent free.”) weren’t my priority.

The fact was, I didn’t really care about being stuck in the grind. I was watching all of the movies I’d been able to buy with my newfound income on my very own TV in my very own apartment. I was buying my own groceries (frozen pizza, sardines, crackers, toaster pastries) and I was answering to no one.

I began to think that maybe the ideals my parents had drilled into me (art above all else) weren’t my own. I didn’t miss the life of partial poverty I had in my teens, before they found other ways to bring in cash, wherein we rented a yellow one-story house and ate food from the church storehouse. I didn’t miss how sometimes we shopped at Costco and sometimes all we had in the kitchen for months were pickles, spam and ramen. I didn’t miss shopping at Goodwill and getting my fix of CDs by ripping off BMG Music (12 for the price of one!). I could now buy all of the nice clothes I wanted, all of the CDs I wanted and all of the food I wanted, every two weeks. I lived in a nice apartment in San Francisco.

A year went by, then two, and I started to self-destruct, again. Shopping stopped being fun, and I was bored, miserable, and started doing stupid things like not eating to see how skinny I could get (ending in more treatment). My husband got me to sign up for a class at the local college and it was like my spark came back. Pretty soon, I was in school full-time and I was writing music again and playing out at open mics, though I still didn’t have the drive I have now for my artistic pursuits. I needed to flounder and explore for a few more years.

***

I don’t knock hard work. What I have a hard time with is working my life away at something I don’t want to do when there is something I really, really want to do (music, writing) instead. I’ve reached a compromise—I enjoy working part-time at the library because I work with the teen programming and I get to do things like make a Tumblr account for National Poetry Month and play Rock Band and go to Juvenile Hall to sign up to volunteer without being in handcuffs. It covers pesky adult things like health insurance. I also do a lot of freelance writing.

My heart is, and will always be, in music. But like most musicians, I need to have things I do to bring in the bacon (or at least enough to buy me some bacon so I don’t starve), things that don’t take away from being able to gig and record and collaborate and write. It seems, as long as I don’t get too sick, that I am partially succeeding in that regard, though it’s all still a work in progress, a grand experiment.

My husband definitely earns more than I do, because he’s 11 years older and has been working at the same career (hair stylist) for two decades. He likes it. He can go to work and not bring it home with him, and it used to be something that would allow him to buy all the things he wanted to buy.

Unfortunately, he thought my degree (in Creative Writing) would guarantee a job once I graduated. It didn’t (I never promised it would). The publishing industry, where I worked for a time, tanked, and I also decided the 9 – 5 lifestyle isn’t my bag at all, after a year and half of full and then partial unemployment. And now, after ten years together (where does time go?) my husband is finally realizing he married a musician/writer/poet person who will always put art before money. Without him, I wouldn’t have a car. I would likely be living in a flat in Oakland or the city with probably 4 other people and shopping at Grocery Outlet. Not necessarily the funnest life, either, but creature comforts can only soothe you for so long, is what I’ve learned.

In the Bay Area, I am surrounded by people who can have their cake and eat it too. Whether because of inheritance or a silver spoon or savings or software jobs, there are a ton of people who get to live the high life, not sacrifice and not have to make the choices I make every day (do I buy a new shirt or do I buy some potatoes and meat for tonight’s dinner and tomorrow’s breakfast?) It’s not much different than how I grew up. Everyone around me had money, we were the only ones who didn’t. We were in disguise, lived in the nice neighborhoods but didn’t own our house, didn’t have new cars, didn’t wear Abercrombie and Fitch, got handouts from the church. I’m used to it. I work very hard to make the small amount of money I do make, but I still don’t break even without being extremely creative and trusting in the benevolence of the universe.

I have no doubt I will learn how to use my talents to cobble together enough work to more than squeak by, but pursuing the path I’m pursuing will not make me rich. I’ve accepted that, and I don’t very much care. Sometimes, I get frustrated because I’d like to finish the partially done sleeve on my right arm and buy a nice guitar for once in 17 years, but I do have two nice mid-range guitars, and a lot of resources many people don’t have.

I only share these things because I think others are probably experiencing similar quandaries, and I know that when I read about other people’s lives, I often feel better about my own because I don’t feel alone. And that’s mainly the reason I write this blog. Lately, I am genuinely appreciating hearing your experiences in the comments section–I started this blog because I wanted to find other like me, and connect with them, and I am blown away by how I’ve met that goal, in spite of it taking years at this point.

The Coffee Shop Fantasy

You want to work in a coffee shop, or in a restaurant, because you think it will allow you to focus on your art more. It’s that old dream of being in Hollywood, serving up meals by night, while cutting your acting chops by day. It’s merely your day job. It won’t interfere with your art. In fact, it will help you network. “What do you do?” “Well, fine sir, I’m really an actor.”

I had the same delusion once.

My first office job was probably the most stressful job a person could ever get. But since it was in a law firm, I got paid more than I’ve ever gotten paid since. Having been there, (stressful, nerve-wracking, irritable bowel syndrome triggering hell) I knew what it was to work hard. And get paid for my tortured existence I did: I got bonuses, commission, health insurance.

But then I started trying to wrap up my education, the degree I’d put aside to pursue work and immediate gratification, finding I was miserable working in a tiny former closet on the 33rd floor of a building in downtown San Francisco, dealing with secretaries and paralegals and dispatchers and office managers and court documents that needed to be urgently sent special rush asap as fast as possible, last-minute, all day.

My interest in better things sparked again and I decided to quit, cashing out the vacation and sick days I hadn’t used for a whopping $6000.

In school, (San Francisco State) of course, I thrived. And I worked part-time on piano rebuilding for my dad, in a semi-rural suburban area, to make about $800 bucks a month.

Then I finished my degree, working for my parents didn’t pan out and it was time to find a real job. I went through a slew of them, about the time I started this blog. Nothing fit. They all sucked. And when I finally found a job in publishing after doing a paid internship, I figured my ship had come in.

Not so. I was laid off, and spent a year on unemployment. We had to move into my grandparent’s house, which was mildewed, with leaky plumbing, though we didn’t realize how bad it was at the time—we were desperate.

I got the idea in my head that a coffee shop job would solve my blues.

It was a similar sentiment to the time when I thought working in a restaurant would get me away from working for my parents. I had gone to interview at a hip vegan/meat restaurant in Berkeley. The interview itself was odd. The owner questioned me on my taste in music, putting down Siouxie from Siouxie and the Banshees, calling her a wannabe. Even though I wasn’t a huge fan of them, I wondered why he even cared.  He drilled me for an hour on pop culture, and finally hired me as a hostess. Hoping to someday be promoted to tip-making waitress, I went along.

One day, a patron took a chair from a two-seater and added it to their group table. The group was a little noisy, and for some reason I cannot recall, intimidated the owner and the waitress with their banter.

When he discovered that they had taken the chair from the two-seater table, the owner freaked out. He railed in the back room about the group, said they were hostile, that they could not commandeer that chair, the chair that rightfully belonged with the two-seater table, for their own  selfish purposes.

Yet, he couldn’t face them. And neither could the waitress who was serving them. She wanted a good tip.

He looked at me. “They’re rowdy. They’re hostile. I don’t know what to do.”

I looked at him and said, “I’ll take care of it.”

I walked calmly to the table and asked one of the guys if I could please take that chair back, because it belonged at the two-seater table. “Sure,” he said, and went back to eating.

One day, the owner came out of the backroom with a giant white booger hanging out of his nose. I was about to say something, but didn’t want to embarrass him. He went to the table and sat with his girlfriend, freaking out about something, with his bald head in his hands.

Outside, where we were all smoking, I asked my coworkers what was up with the white booger.

“Oh, that?” said one of the waitresses, who at 22 looked about 40.

“You didn’t know…?” said the other waiter, a guy who couldn’t have been more than 18.

“He’s a cokehead?” I asked.

They both nodded. “Why do  you put up with him,” I asked. “Because,” said the chick in a raspy waitress voice, “If we put up with him, we can pretty much do whatever we want, and we get good tips.”

It was a restaurant and a coffee bar, and sometimes, I got the privilege of also working in the coffee bar. Not often though. Making the perfect Americano was a privilege you had to earn through doing your time, just like any office job. And at the end of each day, I was simply too exhausted to do anything other than face plant on the bed.

I didn’t last long there. One day, I just didn’t go back.

In spite of this and many other failed attempts at food service, from the Barnes and Noble coffee shop when I was 19 to a very brief stint at Hungry Hunter, where, when a guy came in and asked me what a smart girl like I was doing being a hostess, I thought about it for a night and then quit immediately, the fantasy of a coffee shop job solving my woes persisted. If I could simply work with my artistic friends at a hub of culture, life would be alright. I would get tips, I would have fun.

Might as well be having fun, I thought to myself.

I tried for a year to get a job at this one uber hip coffee shop in town. But I couldn’t. I never got through the second mafia like barrage of interview questions aimed at me from the owner’s son. They had opened this boutique coffee shop together, and took the hiring of every single employee, at $8.50 a hour, very seriously.

But one day, I was outside with a friend, drinking their coffee (which I’m sure is laced with coca leaf derivatives aside from merely a lot of caffeine, because I would literally see things when I drank it, determining that the world was out to get me, and then I would crash, hard). I was sitting there, in the early more feel-good moments of this particular cup of coffee, which was named after a drug called ether, when the manager asked if I would be able to work for them super part-time. “We had to fire someone,” she said, “we need immediate help.” She looked frazzled, in her ’50s housewife apron, short brown hair akimbo.

Hip, local coffee. What's not to like? A lot, apparently.

“Sure,” I said. Why not, I thought. Super part-time wouldn’t interfere with the freelance writing I did that wasn’t quite paying the bills.

First, I had to sign about twenty papers, with non-compete clauses and legalese. It took about an hour and a half just to get through them. Then, I had to do a week of training. “You must stir the coffee in a volcano motion,” said the supervisor, while the manager stood nearby. “And when you scoop the spoon in a sideways motion,  it’s like a paddle…oh my god, we should totally patent that. It’s the paddle motion,” she said, giggling, and her manager laughed, too, with empty eyes as I stood there trying, unsuccessfully, to do the correct volcano and paddling motion to get the perfect cup of coffee ready for the customers, “who are like our family,” the manager had said threateningly.

Suffice it to say, with the free coffee all day long, I spent a lot of the next month tweaking out, thinking that everyone was out to get me. The coffee shop was more like a corporate gig right out of office space, except everyone went to the bar afterwards, together. Everyone was so afraid of even being NEAR a person who was not hip that if you fumbled once, you were out. The group of baristas would do that thing where they would totally exclude you from a conversation, acting as if you did not exist, because you were hurting their fragile worldview.

One day, a guy who worked there asked me how old I was. “29,” I said, and he audibly gasped. “Wow,” he said. “I’m finally doing all the things I said I would do when I was younger,” I told him, “like recording my music, getting my writing published.”

“Wow,” he said again. “So life doesn’t stop when you get older. I’ll try and remember that.”

Ouch.

One day, the first day I had been sent to the register for my entire shift, the cash didn’t total out at the end. My supervisor, who had been joking with me a second ago, got very serious. It was a matter of ten dollars. A national emergency. She called her superior, who called her superior. They counted my drawer again and again.

There was an elaborate points system. This tragic error of neglect on my part would mean that I would be docked a significant portion of my points. Never mind that a couple of other staff had manned my register, too, without me logging out.

The coffee shop was beginning to remind me of reform school. Military. Something onerous.

From the dreadful day of the register on, they decided I was not one of them. There were little things. First, the register seemed to say that I wasn’t dedicated enough. This was serious business. How could I make a mistake on my first day on their crazy register?

And then there was the fact that I didn’t wear canvas shoes or skinny jeans, something they noticed pretty quickly.

It was high school all over again. Pretty soon, within a month or two, the whole thing unraveled. When I got a job at the local library, I accepted it immediately, and fled.

 

A Sick Odyssey

 

One day, you tell some of your friends in a gleeful tone, “I have five whole days off from work at my part-time job.” Excited about the prospects of five whole days, uninterrupted, to prepare for your upcoming recording studio time, polish off some writing you’re close to done with, get some training sessions for your next upcoming kettlebell competition under your belt, catch up on the articles you need to turn in for the newspaper on deadline, you tick off the days on your calendar.

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Weekly Feature: What Sort of Artist Am I?

I met Heather Parker many years ago, through mutual interests, and she’s long been a muse. I’ve asked Heather to talk about and share her photographs with readers here, because I’ve watched her develop her skills over the years and have always appreciated the pictures she captures of her every day life. I also believe that Heather is creative in one of the most valuable callings: being a mother. Her son has been able to tinker with art supplies, instruments and the outdoors because of Heather’s attention to his artistic side, and he is all the better for this exposure, a little gem of uniqueness. Moms don’t get a lot of credit these days. You’ll met him in one of the pictures below.

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