Oaklandia

“Welly, welly, welly, welly, welly, welly, well. To what do I owe the extreme pleasure of this surprising visit?” -Alex/A Clockwork Orange

There are so many topics to write about here. Collaboration. Anxiety. Taking on a plethora of music projects. Learning to work with other artists on a daily basis. I’m sure I will cover all of these topics in the upcoming weeks. I took a hiatus from the last posted entry on April 8, due to suddenly being consumed with activities music and writing related.

My life isn’t much different from the other musicians I am surrounded by in Oakland. Most of us are in two or more bands. Most of us have a calendar clogged with work and shows and practices. Most of us spend a significant portion of our time crammed into tiny practice spaces.

Yesterday, I was chilling in the sun out on Piedmont Avenue in Oakland with a bunch of peers, all of who are musicians. Our conversation was like an episode of Portlandia.

“Soft Cell only has one good song. Tainted Love.”
“What? Soft Cell has the best lyrics ever! Tainted Love is their worst song!”

“Have you heard of The Monks?”
“Yea, I introduced them to you, remember?”
“I thought that was your roommate who introduced them to me.”
“No! He’s always stealing my musical taste and pawning it off as his own.”

“There’s a point where you just get oversaturated with Depeche Mode.”
“What? There’s no such thing as too much Depeche Mode!”

“All I listen to is Krautrock.”
“Krautrock! I love Can!”
“I like Ammon Duul and Neu!”
“I’m into proto-kraut. Haha, just kidding, does such a thing exist?”

***
It’s ironic that a few years ago I was begging to be surrounded by artists and musicians, back in an urban hub. Now that I am, I’m grateful, but also kind of inured to the over abundance of artists I am surrounded by. Add to that the fact that most of us are sensitive and neurotic and slightly psycho and you’ve got a basket full of booby traps at times.

I wouldn’t go back to where I was a year ago for the world. Sometimes, I get down. Focusing so much on music and art and work makes me feel like I might be missing out on something, like family or relationships or love. But…I don’t know. It’s good to be free.

I’ve been practicing with one of my bands, the Krautrock-influenced experimental band, for an upcoming show at the Oakland Metro. Sometimes, our practices feel like Real World: Band Practice, especially when we were trying to determine who the core players in the band were, and had different musicians at every practice. But…I’m sure that’s true of most band practices. Most bands never get off the ground due to not having enough players or personality conflicts. Artistic people tend to be a bit odd. It’s not just a cliche. Sometimes the most creative and interesting people are just…weird. OK, most of the time. Myself included. I know I’m totally sensitive and psychotic and weird and over intelligent and every other thing you can pin on a musician/writer nutcase who came from a musician/artist nutcase family.

So there you go. Busy. Still trying to find the meaning of life, balance frugal living with working on art, doing music constantly and working a day job to fund it. Balking at the dynamics of single people in my age group–ugh. Insanity anyone? Modern life is just wack.

So what is the meaning of life? What you make of it, I suppose. And the only thing I’ve found to assuage my existential angst and anxiety so far is music. The more projects I’m involved in, the more projects I get asked to be involved in. The more I play out, the more musicians I meet and more I am asked to play out. So. All is well. Pretty much.

It’s Enough. Or Is It?

I was reading an article (The Imposter Phenomenon in High Achieving Women) about Imposter Syndrome and remembering again that it totally applies to me.

No matter how much I do, I feel like it’s not enough. I’ve done six performances in the past two or so months, more than I did last year. I’ve been meeting tons of artists, and just a bunch of cool peeps in general. But yet, I sit there thinking, “I haven’t done enough. I’m bored. There’s not enough going on.”

It’s been a little over two months since my life completely changed and I became a person on my own again. Freedom comes at a price–in this case, it’s the price of ten years of hard work and dedication to one person.

It sucks, making choices. No one can ever give you a road map that circles right and wrong and points in the exact direction you need to go.

But what does this mean for art? I was talking to a friend who is going through the exact same thing and we were talking about how in the beginning of the transition from married to single it’s excitement and shock and stress and who knows what. Then that settles down. She said, “It’s back to boring life. No more excitement. But you have your music, that’s your life line. I have my book. That’s mine.”

It’s true, music, and especially writing, continue to be my lifeline. But I can’t quantify them. I don’t measure myself on the societal scale everyone else seems to measure themselves on, i.e., if I have x amount of readings/performances, that means that I’m that amount closer to y. Who knows what I’m closer to or farther from. Who knows what will take place in the next couple of years.

I spent my twenties in the life of a more grown up person. Married, settled, pretty stable, going from one job to the next. I feel like I just came out of a tunnel into…my twenties again, take two, but now I’m 31. Only I look like I’m twenty-something, so that’s a plus, I guess.

I always pictured more…something in my life. More travel, more shows, more musicians, more excitement. But don’t we all? Is this all something we’ve grown to expect through media? Probably. Our brains have been blitzed out by the tube from childhood on. We overlook subtle every day beauty and life, as some random guy was telling me outside a coffee shop this morning, once we turn into teenagers. But you look at a child and they’re like, “Ooo, butterfly!”

***

I was napping today to the tune of someone hammering on the roof, children laughing and a BBQ outside. My room is in the middle of this cluster of Victorians that meet in their backyards. Naps are good. This nap was one of those ones where everything runs through your head, like a shuffle of the week’s events being put into file boxes in your brain.

I thought about how this week I talked with two different people about awesome music I’d never heard of before, and about the way we write our own music. I went to the lake with a new girlfriend, watched a meteorite shower, had crappy diner food with people two nights in a row, performed an hour set at a bar in front of a bunch of people I don’t know, finished my tattoo, worked on a new song, spoke at a meeting about being sober, got some poetry and a non-fiction story accepted to an online magazine I’m the contributing editor for, fixed my road bike and rode it everywhere I could, even around Lake Merritt with a girl friend, walked with another girl friend partially around the lake…on top of my normal library shifts, etc. I even went to Lip Service West to hear my friend Josh read, and saw a bunch of writer friends and heard some awesome stories.

And here I was, feeling sorry for myself because I felt lonely and bored and like I didn’t do enough.

***

It is so hard to practice positivity instead of negativity for me, but somehow I keep swinging back to positivity, even if I spend two weeks mired in the gloom. Who the hell knows what will happen for me in the next couple months or years. Nothing has been easy, but sometimes, like I said before, it’s the hardest times that are the best times. And the hardest times shake us up so we have to change.

I wanted freedom, I got it. Be careful what you wish for. I should change the No Regrets tattoo on my wrist to No Expectations. Because I still have a lot of regrets, but I’m learning to let go of expectations for how my life will pan out and what/who will be there on the stage with me.

Sobriety and Art

Plan for the best, expect nothing. – Me

Can’t people pursue writing and music and fun and intensity without drugs? Isn’t it more punk rock to do music for music sake? Why have drugs and art become so intertwined?

I’ve been asking myself this question a lot in the past few days, while the universe is hitting me right to left across the face with messages (stepped in dog shit two days in a row, I mean STEPPED in it, saw a sign emblazoned across the side of a trash can that stated “Forgive Yourself” just when I was about to buy a cigarette for the first time in over two years).

People assume because I’m an artist and I’m heavily tattooed that I like to partay.

I don’t fucking like to party. I like to spend time in nature and I like to hike and I like to work hard for things that I know will be rewarding in the future.

I am a recovered addict  because I made a conscious decision to not use any substance that distracts me from reality. Should I ever make the decision to use again, you can just call me ADDICT.

I indulged in all sorts of alcohol and pills, at three separate points in my life. The first time, when I was 12, led to being sent to juvenile hall twice, a mental institution once, and locked up in another country for ten months by the time I was 15. At THAT point, I should have stopped, but no, after four years sober I let other people (musicians, believe it or not) teach me some hard, hard lessons I don’t ever want to have to learn again.

An engineer I was working with on my songs the other day joked about loosening me up with some whiskey. Me, ever the skirter around issues, said, “I’ve taken that road as far as it will go for me. It’s not a pretty place.”

I know beyond the shadow of a doubt that the second I casually imbibe a substance, it is GAME ON. That substance, and other of its kind, will be all I care about from there on out. You will not be making music with me or reading my eloquent writing or going on great nature hikes. I will be raiding cabinets. I will be in a doorway with a 40 in a paper bag.

It’s been years of sobriety, and I’ve had a (more) consistently stable life internally and externally because of it. The drama has been dialed down exponentially. I’ve outgrown the need to indulge to avoid my reality. I generally like my reality, in spite of the trappings that frustrate me. And as much as I love music and art shows and all that, I hate that alcohol (and often drugs) have to be so prominent at both. I don’t want to be around it. I do myself a service by surrounding myself with people who get me, all sides.

At the same time, I am not a biggie on going to meetings. I like finding other sober people, sure, but I’ve been around meetings for many, many years and have found that they don’t make me feel much better, usually. I’m sure many people who go to meetings will get all up in arms and tell me, “You’re not really sober if you don’t go to meetings, and that’s why you’re unhappy if you don’t go.”

Believe it or not, I am pretty happy in individual moments. I know what I want and a lot of who I am and how I operate. I know which people make me feel good and which people don’t. I know how to read energy. I have meet some lifelong friends through meetings, but usually we continue our friendship outside of the meetings.

What about the fearless and thorough inventory, you say. I do daily inventories. I clean up my side of the street if something’s not working. I’m honest and I work out my resentments.

Meetings are a tool, not the end-all be-all. I’ve been told before that if I don’t do something I’m going to end up going to hell (or in this case, relapsing) and that was in the Mormon church and the behavior modification program I went to in Jamaica. Not much difference between those two places and meetings where people are asking me to chant and be superstitious and follow rules that were made up by a guy in the 1930′s. Before you worship Bill as an idol, take a look at his life. He was fallible, just like you and me. He was not god. He was speaking truths, yes, and we can take what works and leave the rest. I have.

So, I’ll go to meetings if I’m really feeling like getting loaded, but usually, the thing that helps more is simply calling up a sober friend who is healthy emotionally and saying, “I feel like getting loaded, let’s go on a hike.

Seems a lot of the dogma in substance abuse programs and AA is similar to societal dogma in that they encourage you to “buck up” and “get a real job” and “stop fighting everyone and everything,” “just surrender.”

Surrender to a lifestyle you don’t want in a system you don’t believe in working jobs you despise so that you can keep buying stuff you don’t need and checking out in front of the television night after night stuffing your face with shitty food and wondering why you don’t feel alive? Been there, done that.

I have never cared about trappings and traditions. Not unless you really know why you are doing them, have investigated what they mean to you and are OK with it and don’t need to push it on me. I do not push my life on other people.

I’m a strong believer in prayer and meditation and nature walks, and I do all three. I also do believe in utilizing support groups when you need them, and many people get a lot of good out of them. But you can get lost in those rooms, avoiding your daily life, waiting for people to help you out.

Prayer, meditation, walking, talking to people: These things all help me through some rough times. I also believe in good, clean, honest friendships, or friendships with people who, though they may drink or do other stuff occassionally, know me well enough to never encourage me to “just have one.” That would just be stupid.

I believe in writing and music, that if you use it–either as your lifelong passion or a hobby outlet–you will find your truth looking back at you through your own creations. My art reveals my heart to me.

A lot of people are afraid to put pen to paper because of this very reason. Don’t be afraid. There is nothing to be lost by following your heart. Nothing that will last forever, that is. A lot can be surrendered and let go in the process and it all hurts. I accept that, like the Buddha said, life is suffering. When I accept that, I find that the happy moments (eating watermelon, being with good friends, being heard, picking flowers, writing, playing music) are more accessible, because I am living in the moment, not expecting things to be any different than what they are at this current moment. Accept, yes, this is something they teach in AA. Yes, surrender…I agree…to an extent.

Just don’t surrender your spirit to a life that makes you just want to go pick up a drink and white knuckle it every single day of your life. Not worth it. There is good and bad in many things, and life is one big lesson. You stop learning when you’re dead.

Ch-Ch-Ch-Changes

Last night I played a show at a local venue right up the hill from my apartment. It was lovely. At first, we had a small audience, my fellow musician friend and I, but then people started walking in, and after a time, there were a number of very attentive people watching me and listening to my songs and I tapped into that refreshing feeling of, “Oh. This here is why I do music.”

All the schlepping of the gear and the booking venues and the promoting myself is always a bit of a chore. It all needs to be done…and you never know who is going to show up. You can have absolutely no expectations. My friend brought great equipment, the acoustics were lovely and the venue catered to my allergies by making me a special meal (they will never know how much I appreciate that. Of course, they could probably just read past blog entries and they’d get an inkling).

Me and Jafar, getting ready to perform

All in all, when I’m doing music and writing, I feel truly that I am living my calling. This is where my heart is pulling me. This is where I have been going and for the first time in a long time I feel stable, confident and ready to handle all the hard work that is ahead. I know now, much more than I did when I started this blog, where exactly I am aiming and how to get there. I’ve learned to trust other artists and go out and perform and meet people and nurture relationships. Recently, a bunch of crazy synergistic stuff has happened making me truly believe I am in the exact right place for me at the exact right time.

There was a long period of time where the synergy was just not happening.

***

A lot has transpired in this past week–suffice it to say, I am looking for my own artist live/work space for a period of time due to an agreement (amicable) between my husband and I.

Doesn’t make it any easier.

Frankly, I am married to my art, so it’s like I’ve been cheating for a long time and he’s been left in the dust while I’m all passionate with my art love. I don’t know how else to explain it? Who I am is so irrevocably intertwined with my music and writing that to not have it for a couple of years in my twenties due to bad decisions and hibernation on my part was a shame. Once I finally got it back, I ignited and started to realize life is short, and if I’m ever to find out what I’m made of, I need to get back to a place where I am understood by my peers and live near more artists. The hubby would like to settle and maybe have a family. He craves, needs and deserves stability. I can’t go where I need to go in the current position I am in. This whole situation is about much more than simply art though. But that’s for me and him to figure out.

***

I am a gypsy wanderer who can flit in and out of scenes and spaces. I would love a room to call my own in all this, but am exploring subletting from a number of friends who are going on tour for weeks at a time in the coming months, just to have a place with minimal stress and expenditure.

Ideally, someday, I will also be going on tour, for my reading and/or writing. Both, I am aiming for. I’ve been traveling for work and loving it. I’ve been getting more and more leads on fulfilling work. I put my ear to the ground a few years ago, kept mining and mining and mining and my artistic community is coming through for me.

When two people have been going along for a decade thinking they’re on the same page and realize they truly both want completely separate things out of life, but still love, trust, respect, admire and appreciate each other, it’s a rough, strange place. The signs have been here all along, we just love each other so much, we were willing to ignore what we each really need, and that is currently being redefined and explored.

One of my musician friends said, “So, you’re off to a new adventure.” Yes. I am. Not an easy adventure. Not an easy choice to make–uprooting everything and moving into separate spaces (this was the desire of hubby, as he thinks I will be happier with a living space he would not be happy with, and he also thinks we can only work this out apart).

This isn’t really dirty laundry I’m airing–it’s something my husband and one of my painter/artistic soul mate friends encouraged me to talk about here, since this blog is a means to express the artistic life and the possible scenarios that can transpire.

I was speaking with a woman in her sixties who volunteers at the library I work at. She is a lover of poetry and art and we often have deep discussions about poets and writers we admire, or the advantage of art for self-expression. She was talking to me about a friend of hers who has always needed a lot of time with his art, to the point where his wife asked him for a separation. He was married to his art, too. It is admittedly hard to make one relationship work, even if it’s a best friend relationship, if your first goal is to advancing your career and your art. I don’t know if this is a flaw of mine or just par for the course.

I know there are couples who have worked out these discrepancies and are OK. Marriage is not peaches and cream after the initial years. A lot of it is hard work and compromise. This is going to be temporary, unless we both find that it would help the other person more to pursue other alternative. Neither of us wants the other to be unhappy. My husband is one of the more gracious people I know. He’s a gem. I will not let him go easily. Things are being set into place to make this work. No, I am not on the market. Keep your hands to yourself.

While I’m excited to be getting some space and looking for places where I can completely submerge myself in my art, I’m also going through a lot of painful eviscerating emotions about what this all means and what the future might hold and how it will be to suddenly support myself again completely. It’s like being ripped open. I may seem logical and unattached but I assure you, I am definitely going through it, and so is the Mr.

This will not be easy.

Other than that, I plan on visiting a few topics this week, including autonomy and the pros/cons of everyone having it in a society as well as the insanity of the artist mind, another topic I’ve been discussing with a new friend in a similar predicament to mine. Working with other artistic personalities, the need to pursue art above all else–these are all things I will revisit. Until then…Bowie.

Do You Remember?

Dear Self,

Remember when you were twenty years old, and you had thrown away everything because of a boy, back at home in your parents house in the suburbs, working 40 hours a week at a coffee shop for $7.50 an hour?

You were looking for an apartment, but nothing, even out in the boondocks, was below $800 a month. You were still pining for your ex-boyfriend, in spite of the fact that you had relapsed on alcohol while living with him. You still thought he was your twisted soul mate.

Do you remember moving into your best friend’s aunt’s upstairs bedroom? Getting a job at Trader Joe’s even though you had taken a handful of muscle relaxers and blacked out during the interview?

Do you remember digging through drawers in your best friend’s aunt’s house for whatever pills you could find, taking them even though you didn’t know what they were? Going in the back room of Trader Joe’s and drinking the loose beers in the bathroom quick as you could, then putting them into the trash, then taking the trash out into the back so nobody would see before going back out on the register to ring up customers, smiling, “Hi, how are you?”

Remember how you got fired because your ex came into town and you couldn’t resist taking off for a week, even though you knew you would get fired? Do you remember his best friend telling you both that you were bad for each other, that you only caused each other to self-destruct? Do you remember getting a DUI and having your license suspended?

Do you remember on the last day of that week away, driving down through Northern California, taking your pill bottle out of your purse while listening to Frank Sinatra’s “I Get A Kick Out of You” on his car stereo and freaking out because you realized it was completely empty?

Do you remember everyone in your life being sick of your shit?

And when you checked into an outpatient program, your car caught fire on the way to the building. And two weeks later, you met your husband, the kindest guy you’ve ever known, the first one who treated you like an equal and not some dumb girl.

Do you remember being 25, working at a small press in Berkeley, watching all of the books come across your desk from female authors–mommy bloggers, poets, freelancers–who had written books about their self-made careers, their travels, their children, their open marriages, their transgender pregnancies?

Do you remember starting this blog back then, because you thought you could be like them, because you thought your book could someday be published there, too?

Do you remember being “let go” from the publishing company? Do you remember being unemployed for a year and a half, sick as a dog from the back pain medicine you were taking, taking all sorts of other pills to counteract it, floundering, fumbling, not even writing music anymore?

Do you remember that you had given up?

You weren’t spending time with anyone, it was an effort to get out of the house to walk around the block with the dog, you were having issues with your heart rate and were trying desperately to take yourself off of 5 different pills your doctor was prescribing you, but had no idea how to do that.

At 27, you thought your life was over. And it seemed like it was. No job, addicted to pills, living in your grandparents house, your family distracted by their own issues, your husband working 7 days a week to get the hell away from you.

Do you remember crying at your husband’s friend’s house, saying, “I don’t know what’s happened to me.” And being embarrassed that it had come to this–you never cried. But here you were, crying every day. Waking up and wondering how you were going to get through the day. Praying to a god you didn’t believe in anymore to take away the pain of being hopeless and alone, of feeling like you were going through life wrapped in gauze, a stranger to happiness.

Do you remember checking into a program to cold turkey off the pills your doctor wouldn’t help you get off of? Him saying, “You need these pills.” Do you remember how hard that was? Not sleeping more than a few hours a night for a year, the inner thrumming in your nerves, constantly feeling like you should be moving but being exhausted at the same time, like your body was doing some complicated nervous system speedball?

How no one understood what you were going through?

Do you remember that for nine months, you couldn’t feel joy?

And when you finally had a moment, one day, where you felt good, out driving the car, like you were on the right path as some kind of bird flew through the air in front of your car windshield, you held on to that moment for another year, remembering an essay Anne Lamott wrote about how we cobble together all these eight second blips of happiness–how her essay got you through, made you feel like you weren’t the only freak who felt bad all of the time.

Do you remember all the friends you met? Picking up a kettlebell because it was a challenge, losing 30 pounds of flab, having people to talk to for the first time in years.

Do you remember playing your sister’s old piano in the quiet of your grandparent’s musty house when no one was around, transcribing your song from guitar and singing it like you were on fire, how you felt like you were tapped into a crystal geyser? I’m in the right place, you thought as you thrashed the keys with your fingers, singing into the dead air as the sun burst through the dirty picture windows over the piano–even though you’re not a classical pianist, not even a pop rock pianist, not by a long shot.

Do you remember started to record yourself playing songs again, and posted the videos on facebook even though you were scared shitless that everyone would laugh at you?

Nobody laughed.

Do you remember going into the recording studio for the first time in years, putting down tracks for four of your songs, getting positive feedback from the engineer and engineers in training, slipping the rough mixes into your CD player on the drive home, listening to your songs, and feeling like everything was finally clear?

Do you remember when you read one of your non-fiction stories in public, how you had 8 friends with you, and you felt like a star, and when you read, everyone laughed, or said “ew” at the right moments, and you said to yourself, this is one of the best nights of my life?

And do you remember this morning, reading a blog by one of the published mommy bloggers whose book you worked on back at that small press company you were employed at, reading all her publishing credits, noticing she lived in LA, reading a post she wrote that was poignant and resonated with you but hating that it was poignant and resonated with you even as you enjoyed it?

You wiped the bleariness of waking up from your eyes, looked at your blog stats and realized only 50 people even glanced at it yesterday, thought yourself downright delusional to think anyone would be interested in reading what you have to say.

You were wearing a formerly black sweater, now gray and threadbare, the sweater your husband bought you eight years ago, drinking cold coffee, procrastinating on taking the dog out, wondering how you were going to make ends meet, stop working so hard for so little all of the time, wondering if you’d ever amount to anything, wondering why after so many years of wanting something you’d been waylaid and sidetracked by pills and men and depression and joblessness and fear. You were feeling regret…

Do you remember that as you remembered all of these things, you started writing a letter to yourself in your journal? You shared it on your blog hoping that maybe one person might read it and not feel alone, feeling like a cheeseball for wanting to connect with other struggling artists out there, feeling like all the “established” artists are going to judge you, but knowing that connection is why you do this thing: creation.

Do you remember putting this up on your blog even though you knew people would judge you, your family might read it, everyone might say, “Oh my god, she’s such a beginner. I was already doing all of this stuff by the time I was 20.”

Do you remember telling yourself, if only for a second, that you’re glad you’ve been able to finally feel–for the first time in your life, you have these moments where you are completely in the moment, and it’s only because of the battles you’ve faced. So what if you’re not successful to the world. So what if only once in a while someone reads this blog and something resonates. So what if it’s only a small group of people. You haven’t given up.

Any Song Requests?

I started this blog a long time ago, because I wanted to practice my writing every day, but also because back then, I was reading blogs like Dooce and Demon Baby and feeling like maybe I could do that same thing they did: be humorous by talking about my own life and get a bunch of cool followers who pined away for my witty banter.

I’ve grown up a bit, realizing that I’m kind of an average person, at least to the world at large, and I’m not as funny as those two. And maybe, back then, I didn’t really have that much to say, anyway.

blogging so many so little

Continue reading

New Weekly Feature: Creative People Who Rock

I’ve been working on a new aspect of this blog, one which will launch shortly.

Once a week, I will feature the writing, artwork or music of someone whose work I admire.

I never wanted this blog to be all about me and my rants and laments about the writing and music creating life. My intention has always been
to reach out to the people who are doing the same thing I’m doing: creating awesome things for the sake of creating, because it’s just who they are.

I will be featuring guest posts, with pictures and artwork chosen by the guest, by people whose work is, in my humble opinion, unique and essentially them. People who have an interesting story behind their art or people who just do awesome work in general.

As this thing grows, I am hoping you reading this will start to submit your work, too. I am going to be a bit selective in my features, I want work that has quality and depth, not the doodle you made on a napkin in the restaurant that looks like crap. Unless it doesn’t look like crap. Then maybe I do want it, who knows. And I’m not limiting this to musicians, writers and artists. Tattoo artists, jewelry makers, builders…people who make something inspiring out of nothing.

But there will be sort of a screening process. For now, I have the next two months lined up. After that, depending on how this catches, I would love to see your work and I will post a call for links to your website, blog or story. That way, a third party is vouching for you and we have created a hub of sorts for people who have never met to meet and start a dialogue and also just a place where you can come, lurk and get a broader scope of what other creative people are creating. I wish for this to inspire not just myself, but others to do what I think helps in every aspect of our lives, and that is to simply create things that make you happy to create, that tap you into that place where time means nothing.

This is my intention, anyhow. Let’s start this thing!

The Stifled Artist Defines Her Point

Apparently there is an etiquette to blog writing.

Rule #1: Stay on topic.

What is my topic?

Anything I choose to write about as a “stifled” artist.

The web definition for stifled is “smothered: held in check with difficulty.”

The web definition for artist is “a person whose creative work shows sensitivity and imagination.”

Because those two definitions define me and my recent life, I am in a perpetual headlock with myself — always searching for a way.

This blog began as “various societal rants from a marginalized human being.”

Marginalize means “to relegate or confine to a lower or outer limit or edge, as of social standing.”

I have been marginalized by society throughout my life in a number of ways.

It started out bad. I grew up in an artistic family. My father is a concert pianist. My parents were entrepreneurs and started their own business, so I learned firsthand that working for other people sucks more than working for yourself, and that ideal was pounded into my head through the course of my early life.

I grew up on a street with only boys, so I learned to be tough and was a typical tomboy. These days, I work in a world that is still largely dominated by men (the music and writing worlds). I love men, but I am most definitely not one.

I grew up in a Mormon family, but from childhood had a hard time with that religion. These days I ascribe to something more like existentialism peppered with an ample amount of zen and nowism.

Though the topics drift based on whim and circumstance of the day, I do have an agenda here–to keep up my writing practice and to build a body of rants about being an artist in a fucked-up society that beats the backs of those who enrich it, and to somehow find my own salvation, to not be marginalized, stifled or put upon any longer. To be an entrepreneur, make my own hours, do what I love. To share that with other people. And I will prevail.