What We Believe is What We See

So it is better to speak
Remembering
We were never meant to survive.”

-Audre Lorde “A Litany For Survival”

I saw this quote today in one of those literary tattoos people are getting these days. I’m sure in the context of the poem it’s meant to say, “Speak up, because we’ve survived things we weren’t meant to escape from.” The way I interpret it, however, disembodied from it’s larger context, is to mean literally, “Speak up. Life is one hundred percent fatal.”

There are times I regret being so open and vocal and expressive, reflecting my own inner world in my writing for random people to peruse and assimilate or desecrate according to their whims.

There are times I also regret not speaking my truth. Because life is short. And I’ve worked so hard for so long to even be where I am now. My path is different from your path. Your path is different than another person’s path.

A lot of times, we exist behind our own blinders of should’s and shouldnt’s. I grew up believing I could never in this life be perfect, was always wrong, was fallen from grace and would never until the second coming obtain anything like glory.

My father taught me growing up that imperfection is perfect in its own weird way. Because the world keeps going on, regardless. And we are each on our own individual paths. And somehow it all works out even though we bumble along, making mistakes. But is there really any such thing as a mistake? We all have to learn our own lessons for ourselves, by ourselves.

When I was growing up, I was taught I had to teach people by example, that I should be a good example, which meant following a prescribed code of conduct given to me by an external fear-motivated system of a religious institution. Everything in black and white lines.

I’ve come to the conclusion lately that nothing at all is black and white. Society exists as it does because we’ve agreed as a community up to this point that a lot of the things we do to keep it functioning work. When things break down, we overthrow it, usually, and try something new, whether it works or not. When I make a decision, it’s usually based on the person I am at the moment and the lessons I’ve assimilated up to that point.

I am not better than another person because of the choices I make. There is nothing saying that I am a teacher if I follow a certain path. People teach me all the time, people doing things that I’ve been told were bad or wrong or only lead to heartache, things that I myself have chosen not to do based on them not working for me in my life. What’s good for one isn’t necessarily good for another. One belief system doesn’t fit all.

So you tell me, who is teaching who here? In all our glorious imperfections, in all our madness, we are still moving along trying our hardest to each eke out a margin of space for ourselves in this world, a place where we belong. Battles are fought over time. Slowly. Each step moving us towards or away from our current conquests.

I am striving in my life to speak up and not hide things anymore. Not in the sense of confessing like religions tell you you must do in order to be a decent person. I mean more that I want to tell the people I love how I feel about them while they and I are still here. I want to share my creations with other people more than I have up until this point. I want to keep learning to not protect others from my truth, even if it is different from theirs.

Because life is short. I could die tomorrow. I want the people I love to know I love them, I want the music I made to be heard, and I want the words I’ve written to mean something to someone. But first, I have to put it all out there, no matter how difficult and raw and nerve wracking it is.

I think one meaning of life really is simply to become our own selves. And who that is is buried underneath conventions and instructions and condescension and should-have could-have would-haves we’ve been indoctrinated with our whole lives through family, friends, systems, churches, advertising, etc.

Another meaning of life, if we choose it, is to be happy. And happiness is often an internal job. External circumstances inevitably change. People change. Places change. Things break or fall apart. Money comes and goes. But striving to see past our own internal belief systems, seeing the beauty in the little things every single day, whether our life is currently where we want it to be or not…these are things I’m noticing help with the anxiety of not knowing about what our art means or how it will connect with those around us. Everything starts within us and branches out.

I don’t think we even realize the power we have to connect and affect people through our creations. If we knew, we might hide under a rock. That shit’s kind of scary to think about. I’ve talked to people who’ve had the same experience as me: Hearing some music they loved and seeking it out to the point they ended up working with the people who created it. Fantasizing about something and finding it’s suddenly become reality. This stuff happens every day. What we believe is what we see.

Reading From LitQuake, Lenore Kandel’s Poetry

I found these clips of my reading from the Litquake event a couple weeks ago in honor of Lenore Kandel. Lenore Kandel was an amazing female beat poet that I knew nothing of before Evan Karp, a fellow poet, and mind behind Quiet Lightning, invited me to read for Kat Engh and North Atlantic Books, (the publisher of the book I read from, “Collected Poems of Lenore Kandel.”) I felt honored to be able to read Kandel’s poems, because they really spoke to me, especially as they related to sex, life and meaning.

I feel like Evan Karp summed up my life and what I’m trying to do on this blog eloquently in a minute, so I’ll post that video first, and following is a video of my reading of three of Lenore Kandel’s poems. Don’t mind me, I just obscured my entire head with the book of her poetry. It was a ploy to make you think I was Lenore Kandel.

Additional readings of mine from previous events:

East Bay on the Brain, Not Quite Dateable
Lip Service West, Cough Syrup My Gateway Drug

Visiting Juvy, Again

Finally, I got to spend a day in Juvenile Hall as an adult. I’ve been trying to get inside for a year now, ever since I started working at the county library and realized that there is a library inside of the Juvenile Hall too. The library inside Juvie was made possible by a grant some library assistants wrote away for while going to school for their Library Science Degrees. It’s a beautiful square room, stacked on four sides with books—from urban literature to manga.

I wasn’t sure what to expect—if I’d feel weird being inside Juvenile Hall voluntarily, as one of “them,” but I was blown away by the cheeriness of the staff inside the building and the librarian who trained me on the procedures so I can substitute for her in the future.

Basically, the kids are separated into groups, and different groups come in at different times of the day to get books, and the librarian tells them about new books they might like and plays a game with them, like Taboo or a memory game. She doesn’t talk about their crimes. She and the guards know they’re not in there for no reason. Instead, she offers a respite during their time, if they choose to seek books during their stay.

The (did I mentioned beautiful?) librarian happened to need help with judging the poetry contest. For about an hour, I sat reading through the poems penned by kids on the inside. Most of the poems reflected a conflict of being “bad,” but wanting to feel and/or change. Some wrote about dead children or mothers. Others wrote about having to toughen up to survive, looking in the mirror and wondering why they can’t cry. It struck me for the upteenth time how powerful poetry is as a medium. The fact that so many of them turned in poems…

I asked the librarian if a lot of the kids she sees in there are creative. “Yes,” she said. I knew it. Not that creativity leads to a life of crime—but I wonder how many of those kids weren’t understood in their homes, in their neighborhoods, with their friends. You do a survey, and not many of those kids are going to come from happy homes. Even the ones who do, it’s usually just status someone’s looking at—whether the parents had money and good jobs, not whether they were at home for their children, spent time with them. But that’s my guess.

***

I remember when I was in Fresno, age 15. I was visiting my boyfriend’s mom, who lived near the train tracks in a tiny apartment with her third husband and two other kids from other men. My boyfriend was from her first marriage. We slept in his little sibling’s beds with train sheets, their toys all over the floor.

The boyfriend and I drank and wandered around Fresno. It was Christmas time and we had a bottle of citron Vodka someone had given to us, saying “Merry Christmas.” They had gotten it as a gift and they thought maybe we, the dirty urchins sitting on the curb, could use it better than them. I got shitfaced, started badmouthing a mustached police officer outside of Café Intermezzo. It surprised me when he immediately arrested me. I was used to San Francisco where you could badmouth all you wanted and they essentially left you alone or merely kicked you off the main strip. Here, they didn’t take nothing from no one.

He handcuffed me, put me in his car and drove me to juvenile hall. I was screwed. Drunk enough to babble nonsense, but not blacked out, I cried and told them I was in love and they couldn’t take me away from my boyfriend. I gave them a fake name: Katherine Bodinger.

They fingerprinted me, made me shower, took my belongings and clothes, handed me a pink uniform and put me in a blue brick room with a metal bench. I sat there for hours waiting, reading graffiti on the walls, wondering how previous inmates had gotten their hands on a pen.

I’m screwed, I thought as doors slammed behind me while we walked deeper and deeper into the institutional labyrinth of corridors and barricades inside the hall.

I got put in a solo room overnight, then was sent in with all the other girls for school, a pink unit with concrete walls and high ceilings. I was livid. I remember there being books I could read—the only thing that saved me. I saw a female counselor after a day and a half (may have been longer, I can’t recall) and she said, “We’re going to release you to foster care late today.” I almost cried with joy. I’d told them my parents died in a car crash.

I didn’t have a record, so they’d put me in under the fake name I’d given them. The staff checked me out, laughing at me, asking if I remembered my drunken soliloquy the night before. Of course I remember, I said, glaring.

I waited in the blue room again, not knowing if it was day or night, and the foster care worker, a middle-aged guy with brown hair, came to check me out. As he led me to his car, I was incredulous, wondering if this was some sick joke, if they were trying to trick me into revealing my true identity in order to ship me back to the Bay Area four and a half hours away. It had happened before, in Santa Cruz and in Ohio.

The Foster Care worker talked to me while we drove. He asked me what area of Fresno I was familiar with. I told him that I was only familiar with the Watchtower District downtown. I get a lot of youth, he said, who don’t really want to go into foster care, are just going to run away again. Unless you want to start over, there’s no point in me placing you. Do you really want to go be placed in a home? I looked at him and nodded, not sure what he was getting at. I just wanted one moment of unsupervised freedom so I could access a phone or a door I could run out through.

I’m going to stop at this convenience store, he said. We are very near the Watchtower District downtown. He looked at me for a second before pointedly getting out of the car and turning his back to me. He unlocked all of the doors. As soon as he left, I opened my door. I got out of the car, running as fast as I could towards the bright lights and bigger buildings of downtown.

As I approached, I saw a familiar face, one I’d figured I’d never see in the previous incarcerated hours. My boyfriend: His shaggy shoulder-length hair, silly goatee, lean sinewy body tucked into patched up leather. I almost knocked him over as he was talking to a friend. When he realized who I was, he put his arms around me and in a split second we started running towards apartment buildings where his friend lived.

***

Being in the juvy today reminded me briefly of that Fresno juvenile hall. It also reminded me of a pink walled juvenile hall they detained me at in Ohio for a number of weeks previous to Fresno.

I felt different though. Confident, because I am so far away from who I was 16 years ago…I can understand that girl, who I was, but I would never, don’t ever need to go back there.

Which is why I’ve always wanted to work with incarcerated or at-risk youth in some way, just a little bit, whether it’s through a poetry class or substituting in the library where I actually get paid for my efforts, or just writing music, books and poetry they can read or listen to and not feel so alone. Maybe if I do, they’ll know if they hold on, if they try, a better way will emerge. And they will look back and want to help the previous version of themselves, but they will never want to relive that misguided life—the one where they felt they had no friends, family or world that could care enough or understand who and what they were. Maybe they’ll realize that they’re not so different, nor so alone, after all.

Not Invisible

This will be a short(er) post. I know I’ve been writing a lot, lot lately, a lot that only I can probably keep up with. I enjoy myself. I do.

I forgot to mention that 6 of my poems are up in the Spring issue of Analog Press: http://analogpress.net/

Apparently I am now also a contributing editor to Analog Press. I’m not sure quite what that entails yet, but will know soon! It’s a volunteer position.

***

I was sharing a picture with one of my coworkers yesterday. Previous to the picture sharing, she had been talking about how she was grumpy. She was doing art the night previous and had to stop creating before she wanted to stop, because it was time to go to bed and then go to work. “It’s like when you have a special someone in your bed and they don’t do you the favor…”

I told her I was totally going to steal that analogy for my blog, how interrupting your creative flow is like not being pleasured in bed.

She asked me if I was going to share the picture I showed her (unrelated to this side conversation) on my blog. I figured I might as well, because I was talking a lot about homelessness this week.

After I went to the training on homelessness on Tuesday, I felt more in tune with the scope of the homeless issue again. That night, I went to Safeway, in El Cerrito, and ran into a very thin old man with few teeth (he kind of looked like a very old Snoop Dogg) panhandling on the garbage can outside. I know from my own experience that the worst thing is to be ignored. I said, “I don’t have anything extra to give.” He said, “Neither do I.”

He told me that the door I was about to enter to go into the store was closed. I thanked him, grateful he had told me before I tried to walk through it.

“Have a good night,” he said. “You too,” I said.

The following day I was in San Francisco. I saw a gentleman who had set up a sign for panhandling, rife with spelling mistakes, but the setup was artistic enough to give me pause and want to capture it somehow. I asked him if he would mind me taking his picture. “If you give me a dollar…” he bargained. I said sure, then, without thinking, went and sat down by him, put my arm around his shoulder and posed for the picture my husband took as if I were posing with a friend.

The smile on his face…I was probably much more happy than him, but that made my day. I am not sure why. I guess he reminded me of me in some strange way. A creative person, but down on his luck by choice or circumstance, who knows.

Image

I’m not sure why I look like a giant person in this picture, but that’s OK. I’ve accepted the fact that I am not very photogenic in 80% of the pictures other people take of me. Life goes on. I asked the guy his name and he told me it was Papa Smurf. I told him it was a pleasure to meet him, and when my husband and I were done eating lunch around the corner I gave him my leftover food, but only after asking if he wanted it. “I never turn down food,” he said.

***

I was walking through San Francisco a month or so ago with a friend, and we passed a bearded, dirty old man standing in a doorway with a shopping cart loaded with tarps and cans and other paraphernalia. The only thing you could see shine through the dirt of his face were his white and blue eyeballs. I made eye contact with him and he looked scared for a second, furtive. I smiled. In return, he gave me the warmest, most genuine smile I’ve ever seen. It was like he knew I didn’t have any change, that I wasn’t a stranger to his reality.

Or something.

***

We’re all human beings. It’s easy to forget, especially when I’m walking down the Haight and I get accosted on every single block for spare change (is there such a thing?), and I realize that those dirty, foul-mouthed kids sitting on the curb, the ones I don’t want to make eye contact with or give change to because I know they’re going to buy alcohol, are me over 15 years ago. And they can’t see that I was them. When I was sitting on those curbs, the people who walked by weren’t people. Often, they were cash machines. The ones who stood out were the ones who took the time to ask me about myself–sometimes it was the street photographers who took my picture and came back to give me a copy. I would keep that photograph in my worn Alice pack and pull it out every night to look at it, thinking, “There’s me. I’m real. I exist. Someone else has seen me.” I didn’t feel invisible.

WordPress Blues

I’ve been unfaithful to my blog.

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I’ve been having a hard time with wordpress lately. It’s feeling cluttered and bulky and suffocating. Sure, it has a lot of features, but I’ve taken a liking to Tumblr, with its simple streamlined posts and the fact that everyone there knows how to tag appropriately so that when you shuffle through the lists of blogs you don’t find this opening line, “Hi all. I’m sorry I haven’t updated in a while. I’ve been working on my (memoir/photograph/canvas) and bla bla bla, and I was sick last week so had to stay home and that’s why I’m writing like this is my diary…” or some other permutation.

On tumblr, I’m finding that people actually blog their poems and writing and photographs, and there is a very supportive community for both talented and amateur writers, it’s like a poetry/writing community, and I get the feeling people are taking over the intrawebs with their words, which makes my heart all warm and squishy, insomuch that I feel like I’m having that grandma moment, where I look at something lovingly and tear up and have to turn away.

And this is your grandma on drugs

Honestly, I’ve read some poetry there on the tumblr that could very well have been in a ‘zine or poetry journal, but these kids are sharing on their own little blog and getting more views than anyone would in a small to mid e-zine anyhow.

It’s also fun to poke around there, which is where a lot of my time has been going. And there are writing and poetry challenges that are fun to take up. And every page doesn’t look exactly the same, which I think is the crux of this ennui I am feeling. WordPress–we all have the same theme. We all have the same theme. We all have the same (ten) themes. I am bored. Mind numbingly bored, with trying to search and find here, I feel like I’m inside a community like livejournal again, where only those with another livejournal are reading and commenting and following. For some reason, tumblr feels…prettier.

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There are things I still don’t understand about wordpress, or tumblr. For example, on wordpress, there are all these “freshly pressed” blogs that get a buttload of traffic. I’m not sure how that works. And on tumblr, it’s hard to keep track of your followers, you don’t get all the little notifications on a clickable link like you do here on wordpress, at least as far as I know. Recently, I even figured out how to private message on tumblr instead of posting each comment and answer as its own post, but a kind fellow tumblrer pointed it out to me very quickly.

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This is how wordpress feels to me when I'm searching the blogs.

My main problem with wordpress, I think, is that it is a bit too clunky for my operations and it feels a tad myopic…I feel lost in a sea of wordpress bloggers, a stranger to the outside world. When I find a blog I like, I follow it and I comment on it, but it’s hard for me to find the blogs I like. I don’t know what a lot of the blogs are about, here. Some are about poetry, some are about journals, most are rants from niches. And I feel that I’m here, too, lost amongst a sea of many, getting 50 – 128 views a day, a little bit of feedback from a few people, but really, after five years of this blog…I’m thinking…I’m probably crazy to continue it in this form.

I’m not threatening to leave, but I am thinking of other options. If I had the cash, I would just integrate a wordpress blog into my own website, but I’m waiting on photographs and I have exactly one friend who is good at programming, so…

Here we stay, wordpress. In a stalemate, while I cheat on you by posting my actual poems and creative pieces on tumblr as an experiment.

I found tumblr a while back, but didn’t really consider it until I found the tumblr account of an old friend who was always very, very cool, and who now refuses to acknowledge my presence (we were best buddies in rehab about ten years ago. Seeing my message in his facebook inbox probably took him back to a place he didn’t want to remember). If he had one…well.

And I always enjoyed when I found a tumblr blog like “fuckyeahtattoos,” or the like (there’s a blog called “fuckyeahgoodwriting” that reblogged one of my poems, it was cute). I was looking for a way to reach out to teens. I have so few in my library and am often depressed I can’t actually do teen programming, because there aren’t schools close by to do outreach in. I asked if I could make a tumblr account for National Poetry month. The account consists of me posting quotes, photographs and poems throughout the month, and it’s also a pilot program for the virtual library, which is our headquarters for web/marketing/outreach, etc.

Anyhow, I started poking around while not at work, and found another sober writer who writes damn good prose, short stories and poetry, and a bunch of people baring their souls with amazing writing, and getting the benefit of a community of peers, reblogging their work and sharing feedback.

I’m beginning to wonder why I send my (free) poems out to the middle man, anyways. Probably because I like supporting poetry journals, but this is a good way to get feedback on newly emerged poems–I’ve never found a community like it before, and generally, I’m feeling lately like collaborating. With writers, with musicians–I think what I seek is peers, not to be the isolated writer/musician.

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Or I might have to kill them...

I will immerse myself in a wall of poetry and music, surrounded by likeminded (and even very different) people. I’m finding in tumblr what I see happening sometimes, but not that often, on wordpress, where you get instant feedback/likes/reposts and support. Something I imagined happening here, but have found myself completely lost in the shuffle, picking up travelers here and there, but mostly getting views from family and friends who do have the kindness to tell me they like my prose, which is very nice of them, but my buckets is very big and needs a lot more drops to keep me going.

So, I’m not leaving, but I am confessing my infidelity.

Take Poetry Back: Obscurity is Not A Stamp of Awful

Memoirists. Confessional poets. Are they passe? Should they just give up? Why would anyone talk about theirselves? Why continue? Aren’t there enough visceral,  personal experiences out there?

Yes. Yes, there are. But do I get tired of reading good ones? No. Never.

Continue reading

Weekly Feature: Amanda Eades, Editor of Railroad Poetry Project

I’m happy to be revisiting the Creative People Who Rock feature here. I’ve asked Amanda Eades, the editor behind a poetry publication and platform quickly gaining momentum and now inundated with poetry on it’s third issue: Railroad Poetry Project. The Railroad Poetry Project is an online port for contemporary poetry, and ‘seeks poetry that is beat, beatnik, avant-garde, experimental or anything in-between, poetry that lives by its own rules, poetry that refuses categorization, poems that were scribbled on the run, in the dark, poems that simply had to be written.’

I’ve enjoyed reading each issue so far, and have told many of my friends about the project. In order to let you know more about it, and the fabulous editor behind it, I’m proud to feature Amanda as our creative person who rocks this week. Continue reading

Groveling, Poetry, What it All Means to Me

I always wanted this blog to be full of piss and vinegar. Witty, acerbic, profound, astounding.

I find lately that all I preach — follow your dreams, do what you love, be yourself — is easy in principal, but much harder in practice.

I can be the most idealistic parts of myself on this blog. I can try to motivate myself and others, I can interview people I admire. But behind the wizard of oz curtain, I am just as fed up as you. Continue reading

You Need Chaos in Your Soul

You need chaos in your soul to give birth to a dancing star.
–Friedrich Nietzsche

I spend a lot of time involved in wild flights of fantasy, where I imagine strange and extraordinary things occurring, meeting the right people in the right places, magical results coming from little creations. And when I’m imagining these things, I believe that they are real – for a few moments. Continue reading

Bukowski, Why Be a Poet, Why Ignite Sparks

(photo credit Largo Poet)

“If you’re going to try, go all the way. Otherwise, don’t even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery–isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you’ll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you’re going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It’s the only good fight there is.”
— Charles Bukowski (Factotum) Continue reading